BTW: Adventures in Metalwork (and a Giveaway!)

Studio space, wide view. Thanks to a kitchen re-do last summer I now have plenty of working space.
(It's only neat because I haven't started working in here yet!)

Time for Bead Table Wednesday! Now that the weather is warming up, I've decided to move my messier jewelry-making projects and tools out to the little studio in the back yard. This was my mom's painting studio, and last fall I moved my mosaic supplies out there just to free up space in the house and garage; now I'm ready to start working out there and want to make it the kind of quiet, creative space that it was for my mom. It's also a much more suitable space than the dining/family room for my new adventure: metalwork! So this morning I moved my Dremel, new microtorch and soldering accessories, patinas and supplies, metals, and other metalwork stuff out here, and it looks like I'll have plenty of room as well as light and ventilation to start working out here soon.



New studio metalwork area #1: Patina, soldering, and chasing

I've been wanting to learn how to do metalwork for several years now but have not had the time or money for supplies or training. I was on the verge of signing up for a local metalworking class when my dumb car accident last fall took away the money I'd been stashing away for it. Since then I've gradually been accumulating tools to get started, most recently the very affordable Blazer micro-torch shown at right, which (for now) is about as far as I want to go in the playing-with-fire part of metalwork. I was able to get that, a jeweler's saw, and two books (Soldering Made Simple and Mixed Metal Mania) thanks to an Amazon credit from turning in used textbooks, and this week I picked up some sheet copper and brass, shears, butane, heat-proof blocks, tweezers, and a few other supplies at Thunderbird Supply in Albuquerque so I can get started during my upcoming 3-week break from school.

Following suggestions from other metalworkers and common sense, I'll start with copper and brass given my total newbie-ness and the price of silver; this works for me anyway because a lot of my jewelry lately has included those metals. Once I've made a few things I can then play with the patinas I got from the wonderful MissFickleMedia, whose tutorial I also bought and have found really useful as well as readable. While I love the patinated components I've bought from her and other Etsy sellers recently, I also love the idea of making my own, not just to save money but really to experiment and see what I can come up with. Again, this little studio is perfect for that process, which thanks to my experience with Liver of Sulfer I know can become smelly and a bit messy.

So what new things have you all been up to lately? Tell me all about it in the comments section and, if you're also interesting in trying or refining your skills in soldering and other metalwork, I'll enter you in a random giveaway for a copy of Soldering Made Simple! I accidentally ordered two copies, and this fabulous book is a great way for me to thank both my long-time and new visitors and followers. I'll draw a number using a random number generator next Wednesday (March 16) and announce it in that day's BTW post. Good luck, and thanks as always for visiting!

... And Four Minutes Later:

(Read the post below to find out what the heck I'm talking about.)

The Right Tools

Always have the right tools on hand for the job, my Dad tells me, or you're just wasting your time. I've taken this to heart with my jewelry business, though I've had to acquire my tools gradually as I built my business. Moving online added a new demand: taking good pictures, to showcase my creations in an appealing manner to customers who can't just pick them up and look them over, try them on, and so forth. So I have a decent digital camera (though it now has a scratched lens thanks to a recent mountain [mis-]adventure), and I have Photoshop to make my pictures clear, color-corrected, and Web-ready.

But I've known I was missing one important element: a proper shooting environment. Lacking serious studio space and equipment, I improvised with deflected sunlight, but finally I found the perfect solution: a light tent made of special fabric that diffuses light evenly. You can see the difference it makes in these two shots, both un-Photoshopped, taken in the same window at around the same time of day:



I am ecstatic -- I was spending at least 10 to 20 minutes Photoshopping each picture, and this will cut that way down. The second photo just needs lightening up a bit, maybe some sharpening, and it'll be ready to post. And that leaves me more time to spend on my creations....